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The temporality of Prada, and of fashion as a whole, is vital to Miuccia Prada’s method of working. Unlike comparative designers, there are relatively few obvious signifiers of Prada fashion – in the way that, say, Schiaparelli is associated with the padded shoulder, Lacroix with the poufed skirt, Dior with the cinched waist. Is there a single silhouette that Prada owns? A specific decorative device? No. But that isn’t a criticism. Miuccia Prada’s signature is psychological rather than physical. Her clothing is ultimately about discomfort – aesthetic, ideological, somewhat ephemeral. It is ephemeral because the ugliness Prada provokes with this season becomes the new beautiful. Her shifting aesthetics and erogenous zones influence fellow designers and mass-retailers, and sometimes have an impact across the larger realm of popular culture.

Prada’s championing of ugly can be seen as an expression of Susan Sontag’s ultimate Camp statement: it’s good because it’s awful. However, Prada is rarely Camp – and never sincerely Camp. That’s because there is an artfulness to the ugliness Prada shows us, an intellectual backbone. Her collections are never accidentally bad taste. Miuccia Prada knows exactly what she is doing – namely, upheaving our aesthetic axes, our idea of what constitutes ‘ugly’ and ‘beautiful’, on a six-month basis.

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- Miuccia Prada - the master of ‘ugly’  (via arabellesicardi)

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fashinpirate:

fashinpirate:



I’m not that sick, really, just enough for it to be inconvenient and unending. It won’t kill me any faster than boredom will, so it’s not so bad. I will always set the reality of it aside and frame it so my power is mine and not my illness. Fine, I’ll go for another ultrasound. Fine, take another six vials of blood, fine, fine, fine, fine. Great, now you want X-rays? But can I keep on my Agent Provacateur?


Wrote about chronic illness, Helmut Lang and visions of Lorac foundation for The Style Con. It’s called IN SICKNESS AND IN HELMUT LANG, and includes a sick (lol) selfie of me in a hospital gown.

I’m somewhat bored by the fact my Kim K post has more notes than shit that I care more about that’s been written about on TSC, like chronic illness and rape culture and capitalism and colorism, but I am also not very surprised. SMH. Revisiting this lil bb.

fashinpirate:

fashinpirate:

I’m not that sick, really, just enough for it to be inconvenient and unending. It won’t kill me any faster than boredom will, so it’s not so bad. I will always set the reality of it aside and frame it so my power is mine and not my illness. Fine, I’ll go for another ultrasound. Fine, take another six vials of blood, fine, fine, fine, fine. Great, now you want X-rays? But can I keep on my Agent Provacateur?

Wrote about chronic illness, Helmut Lang and visions of Lorac foundation for The Style Con. It’s called IN SICKNESS AND IN HELMUT LANG, and includes a sick (lol) selfie of me in a hospital gown.

I’m somewhat bored by the fact my Kim K post has more notes than shit that I care more about that’s been written about on TSC, like chronic illness and rape culture and capitalism and colorism, but I am also not very surprised. SMH. Revisiting this lil bb.

(Source: arabellesicardi, via arabellesicardi)

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